“We use the word love so carelessly that it can mean almost nothing or absolutely everything.” Diane Ackerman

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My practice traces love as something we perform, archive, and negotiate—through bodies, language, and shared rituals.

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Working with text, image, and installation, I collect testimonies, letters, and objects that carry the residue of intimacy, then recompose them into visual and sonic narratives where humor and irony hold space for tenderness and contradiction.

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I often build participatory formats—street processions, listening situations, and open calls—so that affection becomes a public encounter as much as a private sensation. These works treat romance not as an ideal, but as a social script shaped by time, place, and language, where pleasure, loss, and belonging can be spoken differently.

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I see art as a communicative bridge and a careful container: a space where individual memories can circulate without exposing identities, and where collective narratives of desire and rupture can be reimagined as forms of connection and resistance.